Zoomed Way Out – Album Review

Zoomed Way Out

From Washington D.C. comes The Very Small, a brand new rock band with a cool 90’s vibe, a unique bubbly sound and the kind of creativity that’s sorely needed on the indie rock scene at the moment. Through a healthy mix of heavy guitar work, skilfully layered vocals and fun, instantly likeable and memorable melodies, The Very Small (Robin Smith, Aaron Mann, Zack Berman) are on their way up.

These guys have something special so it’s definitely worth checking ’em out.

Case and point: their new album Zoomed Way Out, which follows their first self-titled effort The Very Small, released back in 2008. While first albums bear the pressure of introducing us to a band, second albums usually face the struggle of either matching the first album’s fresh burst of “new” or solidifying an, as yet, not quite polished sound.

Have The Very Small managed to bypass the curse of the second album?

SPOILERS: yup.

The first song, dramatically titled “URGENT!”, is packed with energy, catchy riffs, defiant lyrics and vocals almost reminiscent of some of Big Audio Dynamite‘s work: there’s a punky Mick Jones-esque tone to parts of the song. Having said that, this first track does give you a decent idea of what a rockier, U.S. version of Blur would have sounded like back in the day.

The new single, “Said And Done”, is next and was definitely the right choice to represent Zoomed Way Out since it boasts one of the catchiest melodies on the album, a hook that quickly gets in your head and never leaves. Which isn’t a bad thing, especially since said hook is given space to breathe among a fast-paced beat and booming riffs, never allowing it ot get repetitive.

The following track, “Timers”, is a softer, more heartfelt track with a futher emphasis on mood. The varying, electric structure of the song taking you different places emotionally as the drums cleverly suggest a “timer”-style beat.

“Don’t Forget The Lie” follows and that one starts with ominous chants and a chilled-out beat, it’s another softer track with a haunting quality to it. It does pick up quickly, though, adding in the odd dose of anger and bitterness every now and then. “Unsaid” then tricks you into believing you’re listening to another slower track before plugging in and mixing it up playfully. There’s some great guitar riffs underlining the verses in this one and the drums, which get increasingly inventive, support the catchy vocals perfectly.

Title track “Zoomed Way Out” is next and seems to know it’s a title track and therefore has to be particularly good and particularly different right off the bat as it builds up slowly but surely with a blend of purposeful simplicity and an atmospheric, head-infesting melody. It’s easily one of the best tracks on the album and it lives up to its self-titled status. Do look out for some unexpected instruments making a cameo appearance and one of the coolest and best-timed breaks I’ve heard in a while near the end.

Next up is “PB & J”, a much more experimental track with some spacey, layered vocals, an eclectic beat and a mysterious feel. You might not know what to make of this one at first but, trust me, by the end of it (it’s a short one) it should have grown on you nicely. “Thinking Out Loud” is a sharp turn into heavier, Foo Fighters-esque territory and that proves to be yet another surprising direction for The Very Small to go into and, against all odds, completely nail. It’s this reviewer’s personal favourite on the album: its always evolving structure, screaming vocals and non-stop energy are simply irresistible.

“Sonidos Lupinos” brings with it more cowbell (gotta have more cowbell!), funky bass-lines and a dancier, more latino beat. It’s a thoroughly entertaining and playful track you’ll want to hear all the way through as, once again, it goes interesting, unpredictable places. Song number 10 is “At Her Sight”, a folk-style ballad in which the vocals choir around the chorus, turning it into a pretty, nostalgic refrain.

Finally, we have “The Worst Form Of Violence”, which starts with a simple-ish, regular piano rhythm before those uniquely layered vocals which would make The Proclaimers jealous show up, prompting another experimental track but one that tops off the album with a nifty mix of everything the band does best. You never know where the song will take you but wherever it goes, you’re more than happy to trust it and let it work its magic.

So there you have it, The Very Small’s second album and it’s one accomplished, remarkably well put-together piece of early 2000’s grungy angst, retro-friendly alternative melodies and vibrant, up-to-date freshness packed full of terrific ideas and songs you’ll want to discover and rediscover. There’s an effortless versatility to this band that’s undeniably promising and I, for one, look forward to what The Very Small has in store next!

In the meantime, be sure to listen to Zoomed Way Out and their previous album, including the new single “Said And Done”. You can find The Very Small on Twitter (@TheVerySmall), on Facebook, Bandcamp and www.theverysmall.com.

That’s 4 Red Hot Chili Fellas out of 5 from us for Zoomed Way Out.

RHCFella2RHCFella2RHCFella2RHCFella2

Deserved.

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Let’s Build A Snowman – Song Of The Day

Let's Build A Snowman

Forget Frozen‘s take on snowman-building: this is where it’s at.

From what is quite possibly the least Christmassy movie ever, Troma’s Cannibal! The Musical was not only Trey Parker and Matt Stone‘s first full-on musical but it also remains one of their most underrated, underwatched gems, probably because it was made pre-South Park. “Let’s Build A Snowman” is one of the most memorable song numbers from the film, for obvious reasons (see below).

 

Merry Christmas (I Don’t Want To Fight Tonight) – Song Of The Day

Ramones

From their 1989 Brain Drain album, “Merry Christmas (I Don’t Want To Fight Tonight)” was The Ramones‘ take on a Christmas song and, though it was decidedly a much more commercial venture, it was just as cool as you’d expect from the punk rock titans.

Then again, how could a Ramones Christmas track not be awesome?

Have a good one!

Christmas In Heaven – Song Of The Day

Xmas in Heaven

Just before revealing to us the meaning of life in their film… The Meaning Of Life, Monty Python delivered this little nugget of absurdity: a truly corny and bizarre vision of Heaven in which an over-tanned Graham Chapman with a perm and whitened teeth sings a Tony Bennett-style Christmas song which plays like some kind of wildly over-the-top and gratuitous Las Vegas show.

If this is Heaven: I’m SO in.

Merry Christmas Mr Lawrence – Song Of The Day

Merry Christmas Mr Lawrence

What better way to open a week full of Christmas songs with the main theme from a war movie?

From Ryuichi Sakamoto comes this atmospheric, haunting theme for the underrated film Merry Christmas Mr Lawrence which starred David Bowie and Takeshi Kitano among others. While very simple, Sakamoto’s tune manages to both capture the sense of quiet abstract menace the film conveys throughout and still sound quite beautiful, hopeful even. It’s no wonder why the composer won a BAFTA award for Best Film Music for this movie back in the day.

Far Side Of Crazy – Song Of The Day

Far Side Of Crazy

From Wall Of Voodoo‘s album Seven Days In Sammystown comes “Far Side Of Crazy”, one of the band’s most recognisable tracks. Released in 1985, the song combines a typically 80’s New Wave beat with a catchy, surprisingly 90’s chorus and Western-style backing melodies, the cowboy movie theme being one of Wall Of Voodoo’s most lasting references. All in all, this song’s not only a lot of fun but it should make you curious enough to go and look up what is definitely an underrated band.

You Can Get It If You Really Want – Song Of The Day

Desmond Dekker

Though “You Can Get It You Really Want” is often attributed to Jimmy Cliff alone, it was Desmond Dekker who recorded a version of the song back in 1970 and helped it reach number 2 in the charts. Of course, Cliff wrote the song and his version, which shares the same backing track as this one, was also a big hit. The song is about as uplifting as it gets but not in a cheesy way: it manages to be cool and groovy enough to give you a solid burst of positivity and make you feel like dancing and singing along as well.

Classic.